"Fast Break"--Sometimes
It's Not Just
What You'd Expect--(Feb. 2, 2002)
Fast Break
(In memory of Dennis Turner, 1946-1984)
A hook shot kisses the rim and
hangs there, helplessly, but doesn't dropand for once our gangly starting center
boxes out his man and times his jumpperfectly, gathering the orange leather
from the air like a cherished possessionand spinning around to throw a strike
to the outlet who is already shovelingan underhand pass toward the other guard
scissoring past a flat-footed defenderwho looks stunned and nailed to the floor
in the wrong direction, turning to catch sightof a high, gliding dribble and a man
letting the play develop in front of himin slow motion, almost exactly
like a coach's drawing on the backboard,both forwards racing down the court
the way that forwards should, fanning outand filling the lanes in tandem, moving
together as brothers passing the ballbetween them without a dribble, without
a single bounce hitting the hardwooduntil the guard finally lunges out
and commits to the wrong manwhile the power-forward explodes past them
in a fury, taking the ball into the airby himself now and laying it gently
against the glass for a layup,but losing his balance in the process
inexplicably falling, hitting the floorwith a wild, headlong motion
for the game he loved like a countryand swiveling back to see an orange blur
floating perfecting through the net.
From Wild Gratitude (1985), by Edward Hirsch.
Be sure to read this poem more than once. Really, read it slowly, and like the game of basketball, "let the game come to you" and you'll begin to appreciate Hirsch's choice of language, and his sense of the rythym of the game and the sensibility of the poem.
Hey, it's something different, but we thought you'd all appreciate it.
Edward Hirsch was born in Chicago in 1950 and educated at Grinnell College and the University of Pennsylvania. He is the author of five books of poems: On Love (Alfred A. Knopf, 1998); Earthly Measures (1994); The Night Parade (1989); Wild Gratitude (1986), which received the National Book Critics Circle Award; and For the Sleepwalkers (1981), which received the Lavan Younger Poets Award from the Academy and the Delmore Schwartz Memorial Award from New York University. He has received fellowships from the Guggenheim and MacArthur foundations, an Ingram Merrill Foundation Award, a National Endowment for the Arts Fellowship, the Rome Prize from the American Academy in Rome, and a Lila Wallace-Reader's Digest Writers' Award. He teaches at the University of Houston.
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